- The Wire
- Deadwood
- The Sopranos
- Entourage
Agree? Disagree? Where would Weeds fit? Six Feet Under? How many consecutive sentences can end in a question mark?
The short version, A tone outside the audible range of hearing of most people over 30. This means that you can get phone calls and receive text messages in class or school without teachers hearing it.
I think suburbia is a great (maybe the great) American socioeconomic achievement, whose virtues far outweigh its vices, and that using the levers of government to encourage families to leave the suburbs would represent a deep betrayal of what I take to be the heart of the American Dream. (Which is a cliche, sure, but also a reality.) When it comes to global warming, therefore, I'm all for telecommuting and fuel-efficient cars and various other ways to reduce our carbon footprint; I'm not for any plan that stands athwart suburbanization, yelling stop. |Ross Douthat|
For Kotkin, these are all good things, overall. The suburbs are a triumph, not a torture chamber: They're the place where "we've created the first mass middle class in the history of the world where people own their own land and their own homes," which is an achievement to be celebrated and sustained, rather than denigrated and abandoned. People love living in them: Suburbanites are happier and enjoy a more vibrant civic life than other Americans, and it's not just bigoted whites hiding out in gated communities; immigrants, in particular, are voting for the suburbs with their feet, to the point where the best ethnic cuisine in the country is increasingly served way out in the exurbs. And America's more suburbanized, multipolar cities are democratic in a way that places like New York and Boston and San Francisco aren't, because middle and working-class families can afford to live there, and there's none of the social bifurcation that divides, say, Manhattan between the super-rich and the service-sector poor who wait on them. Suburbs were originally championed as a progressive innovation, Kotkin pointed out, by everyone from Engels to Thomas Carlyle to H.G. Wells, and in spite what Desperate Housewives, Weeds, American Beauty, The Ice Storm, Pleasantville, and a thousand more chronicles of bourgeois anomie would suggest, their expansion remains a sign of progress rather than the reverse.
"My position is irony is dead (...) but at the same time, just to return to old-fashioned sincerity, and particularly the kind of sentimentality that that draws in with it...we don't need it. So that's why we've created the New Sincerity. A perfect example of the New Sincerity is Evel Knievel. There's no way to take Evel Knievel literally. It's impossible. The man has a leather jumpsuit and he drives a rocket car. The leather jumpsuit has red, white, and blue stars and stripes on it. It's absolutely preposterous. On the other hand, there's no way to appreciate Evel Knievel ironically. He's too awesome. He has--I don't know if we've mentioned this--a leather jumpsuit with the Stars and Stripes on it and a rocket-powered car. That's why we appreciate Evel Knievel with the New Sincerity."
The main reason the 1950s looks so good to so many of us is that in moving from the old order to the new, we lost much of our civilizational confidence. You may say that that confidence was misplaced, or an illusion; you may even say that it was obnoxious, and good riddance to it [yeah, something like that --ed]; and you may be right on all points. There is something awfully attractive about civilizational confidence though. Like innocence, once gone, it can't be recaptured. Those of us who recall it shouldn't be blamed for missing it.
`Michael Chabon has spent considerable energy trying to drag the decaying corpse of genre fiction out of the shallow grave where writers of serious literature abandoned it.' Ruth Franklin (Slate, 8 May 2007)
Something woke her in the night. Was it steps she heard, coming up the stairs -- somebody in wet training shoes, climbing the stairs very slowly ... but who? And why wet shoes? It hadn't rained. There, again, the heavy, soggy sound. But it hadn't rained for weeks, it was only sultry, the air close, with a cloying hint of mildew or rot, sweet rot, like very old finiocchiona, or perhaps liverwurst gone green. There, again -- the slow, squelching, sucking steps, and the foul smell was stronger. Something was climbing her stairs, coming closer to her door. As she heard the click of heel bones that had broken through rotting flesh, she knew what it was. But it was dead, dead! God damn that Chabon, dragging it out of the grave where she and the other serious writers had buried it to save serious literature from its polluting touch, the horror of its blank, pustular face, the lifeless, meaningless glare of its decaying eyes! What did the fool think he was doing? Had he paid no attention at all to the endless rituals of the serious writers and their serious critics -- the formal expulsion ceremonies, the repeated anathemata, the stakes driven over and over through the heart, the vitriolic sneers, the endless, solemn dances on the grave? Did he not want to preserve the virginity of Yaddo? Had he not even understand the importance of the distinction between sci fi and counterfactual fiction? Could he not see that Cormac McCarthy -- although everything in his book (except the wonderfully blatant use of an egregiously obscure vocabulary) was remarkably similar to a great many earlier works of science fiction about men crossing the country after a holocaust -- could never under any circumstances be said to be a sci fi writer, because Cormac McCarthy was a serious writer and so by definition incapable of lowering himself to commit genre? Could it be that that Chabon, just because some mad fools gave him a Pulitzer, had forgotten the sacred value of the word mainstream? No, she would not look at the thing that had squelched its way into her bedroom and stood over her, reeking of rocket fuel and kryptonite, creaking like an old mansion on the moors in a wuthering wind, its brain rotting like a pear from within, dripping little grey cells through its ears. But its call on her attention was, somehow, imperative, and as it stretched out its hand to her she saw on one of the half-putrefied fingers a fiery golden ring. She moaned. How could they have buried it in such a shallow grave and then just walked away, abandoning it? "Dig it deeper, dig it deeper!" she had screamed, but they hadn't listened to her, and now where were they, all the other serious writers and critics, when she needed them? Where was her copy of Ulysses? All she had on her bedside table was a Philip Roth novel she had been using to prop up the reading lamp. She pulled the slender volume free and raised it up between her and the ghastly golem -- but it was not enough. Not even Roth could save her. The monster laid its squamous hand on her, and the ring branded her like a burning coal. Genre breathed its corpse-breath in her face, and she was lost. She was defiled. She might as well be dead. She would never, ever get invited to write for Granta now.
Republican presidential candidate George W. Bush was asked directly how he could be certain that all 120-odd executions he has presided over as governor of Texas were carried out against guilty defendants. He replied that he was, indeed, certain that nothing like what had happened in Illinois had happened in Texas on his watch. "Maybe they've had some problems in their courts," he said. "Maybe they've had some faulty judgments. I've reviewed every case, . . . and I'm confident that every case that has come across my desk, I'm confident of the guilt of the person who committed the crime." |source|
"In terms of the detainees, we've had thousands of people detained. We've investigated every single complaint against the detainees. It seemed like to me they based some of their decisions on the word of -- and the allegations -- by people who were held in detention, people who hate America, people that had been trained in some instances to disassemble -- that means not tell the truth. And so it was an absurd report. It just is. And, you know -- yes, sir."
|George W. Bush, May 31, 2005|
"I respect the jury's verdict. But I have concluded that the prison sentence given to Mr. Libby is excessive. Therefore, I am commuting the portion of Mr. Libby's sentence that required him to spend thirty months in prison.
"My decision to commute his prison sentence leaves in place a harsh punishment for Mr. Libby. The reputation he gained through his years of public service and professional work in the legal community is forever damaged. His wife and young children have also suffered immensely. He will remain on probation. The significant fines imposed by the judge will remain in effect. The consequences of his felony conviction on his former life as a lawyer, public servant, and private citizen will be long-lasting."
|George W. Bush, July 2, 2007|

Interestingly, delusions, such as contagious diseases, can be spread from one susceptible person to another susceptible person. This is how the Internet can serve as a "vector" or transmitter of illness.
Sociologist Robert Batholomew recently suggested the "World Wide Web has become the incubator for mass delusion and it (Morgellons) seems to be a socially transmitted disease over the Internet."
I don't know if there are any hipsters out there wearing one of these hats ironically, but I caught a few minutes of the Andy Griffith Show last night, and Goober wears it with the kind of sincerity usually reserved for a ball cap or a kippah. Perhaps this was meant to reveal something about Goober's character. For my part, I couldn't quite get my head around the choice.
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."